• 2008-12-18

    Fille Qui Mousse

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    喝酒的人常常說自己不喝酒,就像不會喝酒的人常常說自己喝很多酒一樣.有些人一喝就醉,有些人一醉就睡,但他不吐啊,那他多難過啊,不吐多難過啊,我見他坐在旁邊凳子上二話不說就倒在地上,嘭地一聲,當時我以為他要死了,結果他倒在地上眼睛眨都不眨地看著我,看著看著直到把我看透明了為止,那眼神多迷幻呀,我一拖一甩把他甩到床上,他就閉著眼睛從這頭睡到那頭,從那頭滾到這頭,然後又坐在中間靠著墻壁接著睡,我以為他又在看我了,結果我轉頭一看他他就開始嘴巴冒白泡,我以為他開始發癲癇癥又要死了,結果他二話不說開始把滿嘴巴的白沫吐在自己鞋子里,我以為他又要吐了,可他就不吐啊,靠,那憋著多難受啊,結果他愣是一個勁地把滿肚子的白沫都吐到了他的鞋子里,吐著吐著的時候我想他不會死了,靠,還有彼那亂吐白沫的樣子更迷幻的嗎!?
    是啊,再沒有比聽Fille Qui Mousse更有那憋著一股子難過開始迷幻的感覺了,對,還有一種嘴角長泡的灼熱感,可那不是德國呀,這群瘋子在1971年7月的某個周末午後搗鼓出的這么盒長泡的錄音之後就被甩在一邊就是8年,靠,誰讓Fille Qui Mousse就是那個亂吐白沫的女孩啊,到唱片發行的時候這群瘋子早不知道竄到哪搗鼓更好玩的東西了,作鳥獸散啦。不過總有那么一群好事考古學家不讓人安寧的,靠,要不是在法國,用鍵盤殺死Tangerine Dream啊,用鼓殺死Can啊,用吉他殺死Neu!啊,用貝斯殺死Guru Guru啊,
    用磁帶殺死Faust啊!要不是在法國,用提琴殺死TMT(Taj Mahal Travellers)啊,用長音再殺一遍TMT(Taj Mahal Travellers)啊,要不然老騷瑞Spalax把這群瘋子挖出來吃三聚氰胺的啊!?靠,老子今天也迷幻啦!





     
  • 2008-12-17

    Pinja Džazna - []

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    巴爾干很乾燥,因為那是無煙地帶,這難不倒斯洛文尼亞共和國,因為人家都是爆炸頭。不要看不起小丑,這是老師對我說過的一句話。不要相信外星人,因為他們一直在身邊。嘿嘿,這個社會主義國家搞出來的東西足以讓土星人和紅色國王都嚇一跳,還有比這更激動人心的消息么?斯洛文尼亞飛船把King Crimson送到Sun Ra土星老家作客去了,唱起了【祝酒歌】向地球這邊飄來,長笛駕著鍵盤開始在滾滾而過的貝斯上滑翔。當然他們還逗樂了那一大家子黑人爆炸頭,他們要把最暢快激情的Funky's Dad還給你們,當你們還盡情搖擺的時候,一把口琴開始幽幽地吹出一段段巴爾干半島的血與淚,狂歡后的落寞一直都是他們非凡的才華。


                  


  • 2008-12-15

    全世界地下絲絨

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    這隻法蘭西地下樂團的首張黑膠天才杰作,足以媲美任何英國迷幻德國老妖,取的是地下絲絨和牛心上校的經,The Godz樣的異類。隆隆的貝斯滾過Fuzz,失真Wah-Wah吉他,那些Post-Punk,No-Wave,New-Wave,Drone,Doom,Noise-Rock,Post-Rock...累不累呢?還有什麽好說的,都來地下絲絨吧!全世界地下絲絨!
     
    Mahogany Brain - Smooth Sick Lights (1972)      

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  • 2008-12-11

    Astro Can Caravan

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    62807

    Astro Can Caravan(ACC),嘿嘿,明眼人當然看得出來,還有比這樂隊更牛X的名字么!
    三個裡面每一個可以獨擋一面的狠角色,簡直就是傳說中的超級武器霸王哦!
    說正經的,誰都知道芬蘭盛產迷幻音樂,ACC作為異軍突起的前衛搖滾爵士樂隊,
    集Sun Ra派的太空音樂與前衛搖滾編排與節奏于一身,自成一派,暫且稱之為epic grooving jazz
    大有Jaga Jazzist一派的味道哦


  • 2008-12-11

    WSQ Experience

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    Track listing: Freedom; If 6 Was 9; Hey Joe(no drums or bass); Machine Gun; Little Wing; Foxey Lady (no drums or bass) ; Hear My Train a Comin-(no drums or bass); The Wind Cries Mary (no drums or bass).

    Personnel: David Murray- tenor saxophone, bass clarinet; Bluiett- baritone saxophone; Oliver Lake- alto saxophone, soprano saxophone; Bruce Williams- soprano saxophone, alto saxophone; Gene Lake- drums; Matthew Garrison- electric bass; Craig Harris- didgeridoo on "Hear My Train a Comin," - trombone & spoken word on "The Wind Cries Mary;" Billy Bang- violin on "Machine Gun."

    看這標題就知道是WSQ翻奏吉米的作品,04年,當然這時候的WSQ已經沒有我偏愛的Julius Hemphil,JH從90年代初離開直到去世后的時間里,WSQ里的空缺里出現過不少薩克斯風好手,這次是Bruce Williams,當然此Williams非彼Williams,是個黑人薩克斯風手啦.儘管大多數情況WSQ以演繹各種各樣的標準曲出名,向吉米致敬的樂手專輯也是數不勝數,但當四支薩管吹起Little Wing,曾經那只上帝的左手下神聖的樂音線條倏地浮現的時候,對的,就是那種好玩好聽的感覺,說不出的喜歡吶.當中還有一首WSQ演繹的Machine Gun,Billy Bang的Violin穿插其中,妙筆生花的曲子.呵,想不到的是胖子瑪瑞還是醉漢的歌迷,奇哉.

    Jimi Hendrix for me stood for me stood for nearly everything I believed in during my early life,growing up in Berkeley during the 60's.I remember at age thirteen having a guitar and learing to play 'Purple Haze'while sitting on Telegraph Avenue near the U of Cal at Berkeley at Suther Gate,wearing a red bandana on my head.I didn't want to play like Jimi.The entire Bay Area hippie movement,my band The Notationgs Of Soul - and everyone else - dug Jimi.He had a crossover appeal that black,white,brown and Asian adored.When Jim West asked The WSQ to do Jimi we all thought it was agood idea and I hope the many fans of Hendrix will appreciate our different approach to his music because deep down inside he was also a jazz musician. - David Murray

    Experience is one of our best efforts,I was surprised that Icould still be amazed at our level of intensity and creativity.Jimi Hendrix would be proud to hear our interpretation of his classic compositions. - Oliver Lake

    The WSQ had the task of resurrecting Jimi Hendrix-without duplication-which is the way that we do projects-that is to get the essence of the artist without imitation. For me,I had not estensively listened to Jimi Hendrix since the 70's. My first impression of him and of his music was of this "avant rock" musician who had taken the guitar to a whole other level.At that time,it could have been thought of as bizarre.However,after going back and listening to the music again,time made me realize how architectural,poetic,innovative and rich his compositions really were / are.Experience speaks for itself!. - Bluiett

    This project was one of the most unique,creative,and powerful projects of my career.The way that we played the music presented a quiet fire and intensity that never seemed to leave the studio.Lots of intensity with less electricity! - Bruce Williams